Visa Crackdown on Narco Band

**Excerpt:** “US and Mexico crackdown on narco glorification, revoking visas for band Los Alegres del Barranco. A joint stand against criminal figure idolization, emphasizing zero tolerance for narco worship.”

**Title: Crackdown on Narco Glorification: U.S. and Mexico Revoke Band’s Visas**

In a decisive move against the romanticization of criminal figures, both the United States and Mexico have taken significant actions to address the controversial performances of the Mexican band, Los Alegres del Barranco. The band had recently paid tribute to “El Mencho,” a notorious drug cartel leader, in concerts held in Jalisco and Michoacán.

The U.S. government, led by former Ambassador to Mexico Christopher Landau, has revoked both work and tourist visas for all band members. This decision highlights the cross-border collaboration in discouraging the glorification of criminal figures, with Landau emphasizing on social media that freedom of speech does not equate to being free from repercussions.

Echoing this sentiment, Mexican authorities have also initiated measures. President Claudia Sheinbaum called for a thorough investigation into the events, stating such glorifications are unacceptable. Furthermore, the mayor of Zapopan has filed a formal complaint with the Jalisco State Attorney’s Office against the University of Guadalajara Auditorium, the venue that hosted the concert, as well as the band itself. In addition, a financial penalty of 300 UMAs, totaling 33,942 pesos, has been imposed by the City of Zapopan.

This swift action sends a clear message across borders—there is zero tolerance for narco worship.

**Secondary Article: The Wider Impact of Music Glorifying Narcotics in Mexico**

The issue of music glorifying drug lords, known as narcocorridos, has long been a topic of debate in Mexico. These songs often depict the lavish lifestyles and supposed heroism of figures involved in organized crime. However, they have also been criticized for promoting violence and lawlessness, particularly among the youth.

Several Mexican states, including Sinaloa and Chihuahua, have implemented bans on such performances in public spaces. Yet, the influence of narcocorridos extends beyond music, impacting popular culture and perceptions of criminality.

In response, both local and federal governments are reinforcing policies to curb the influence of these narratives, emphasizing educational programs and community initiatives to counteract the glorification of drug lords in society. With international cooperation highlighted by the recent actions against Los Alegres del Barranco, the issue continues to garner significant attention.

Ultimately, the actions taken by the U.S. and Mexican governments may set a precedent for future cases, promoting a shift towards a more responsible portrayal of crime in entertainment.